Ryan Reed is a freelance music / pop culture journalist / editor. Besides Diffuser.fm, he currently contributes to Rolling Stone, Paste, Billboard, eMusic, The Phoenix, Metro Pulse, Blurt, Relix, American Songwriter, and many other outlets. He's also an adjunct English and Communications professor. When he's not writing or teaching, he's probably recording his own music, record shopping, playing with his Brittany Spaniel (Tegan), eating copious amounts of chicken wings, or drinking girly beverages.
Why Alan Parsons Might Return to Pink Floyd’s Weirdest Album Idea: Exclusive Interview
He's still disappointed the aborted 'Household Objects' project was never released.
How Alan Parsons Completed a Return to Vintage Sounds on ‘The Secret': Interview
'The Secret' returns to the organic, lightly symphonic pop-rock style that propelled classic albums by the Alan Parsons Project.
Fleetwood Mac Set List Primer: 5 Rare Songs From New Tour
To get all fans on the same page, let's recap the five rarest rarities from the band's current tour.
5 Songs We’d Love to See Fleetwood Mac Play at Their Tour Opener
Questions linger about the revamped Mac. Will they blacklist all Buckingham material? And if so, how they fill the gaps?
All 167 Rush Songs Ranked Worst to Best
The difficulty – and nerdy thrill – of ranking Rush's catalog is that you're essentially pitting several distinct bands against each other.
The History of Yes Live Albums
In their tumultuous half-century of existence, Yes have released 16 live albums. That's way too many live albums.
Why Genesis Had to Keep Shedding Members: Exclusive Interview
For Genesis, chart success really was a matter of addition by subtraction.
Why Genesis Started Writing Shorter Songs: Exclusive Interview
As Phil Collins took over for singer Peter Gabriel, Genesis shifted toward more concise, radio-friendly singles.
Why Genesis’ Tony Banks Left Progressive Rock Behind: Exclusive Interview
Tony Banks' music has been dotted with oboes and cornets since releasing 2004's 'Seven' – not synthesizer solos and tom-tom fills.